
YOUNG THEATRE WORKSHOP BEGINS
The workshop here is a continuation of activities which started
at the district-level over the past few months.“This is the second year of
Natika, our ambitious project to rejuvenate the theatre scene in the State. We
started from the grassroots, by selecting a set of young theatre enthusiasts
from every district. At the district-level camps, they sat together and
discussed various aspects of theatre over five days and at the end of it
evolved a play. A theatre expert was at hand at each of these districts to
guide them. All the 14 plays from these districts will be performed here over
the three days,” said P.S. Prasanth, Vice Chairman of the Kerala State Youth
Welfare Board, which is organising the workshop.
Inaugurating the workshop, Speaker G. Karthikeyan said that
theatre had played a key role in the political and social enlightenment of the
Kerala society, right from the time of the State’s formation.
“During the evenings, in every village, the local library or
other cultural centre used to transform into a performance space for plays or
some other art form. The youth used to gather around and hold discussions on a
wide variety of issues. But these days, the queue is more in front of liquor
outlets, than near libraries,” Mr. Karthikeyan said.
‘A misconception’
Actor Madhu, who was the chief guest at the function, said that
it was a misconception that theatre was suffering due to cinema and television.
“It is a misconception and kind of anticipatory bail for theatre practitioners
to blame cinema and television for the lack of growth or rather the waning
influence of theatre. But look at the situation in places like London or New York.
The number of films that release there and the number of available channels in
television is huge compared to a city in Kerala, but at the same time it is
hard to get a ticket for a theatre performance there.”
He said the reason that people had started moving away from
theatre in Kerala was due to the fall in standards, both of performance and
available infrastructure.
“Our plays are far from perfect and I have found many instances
where the performers mechanically recite the lines without getting into the
soul of the character. The young artistes here should take a vow that they
would never get on stage without perfecting their parts. This will ensure that
people will come back to watch theatre, as they always prefer to watch a real
person perform than watch the shadows in a television screen,” he said.
Prof. John Kurakar
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