Vaikom Muhammad Basheer
After beginning his
education at the local Malayalam medium school, he was sent to the English
medium school in Vaikom, five miles away. While at school he fell under
the spell of Mahatma Gandhi. When Gandhi came to Vaikom to participate in
the Vaikom Satyagraham (1924) Basheer went to see him. After his meet
with Gandhi he used to visit Gandhi's Satyagraha Ashram at Vaikom daily.
Freedom struggle involvement before journeyHe joined the fight for
an Independent India, leaving his schooling. His purpose in joining
the Indian National Congress was to help ensure that there was some
Muslim representation in the pan-Indian movement. Since there was no active independence
movement in Travancore or Kochi, he went
to Kozhikode to take part in the Salt Satyagraha in 1930.
He got arrested there and was sentenced to three months imprisonment and sent
to Kannur prison. He became inspired by stories of heroism by revolutionaries
like Bhagat Singh, Sukhdev and Rajguru, who were executed while he was in
Kannur jail. After getting freed from prison, he organized an anti-British
movement. Soon he left Kerala.JourneyAfter leaving Kerala, he embarked upon a
long journey that took him across the length and breadth of India and to many
places in Asia and Africa, a journey which spanned seven years, doing whatever
work that freed him from starvation. His occupations ranged from that of a loom
fitter, fortune teller, cook, newspaper seller, fruit seller, sports goods
agent, accountant, watchman, shepherd , hotel manager to a living as an ascetic
with Hindu saints and Sufi mystics in the Himalayas.
There were times when, he was with no water to drink, without any food to eat,
he came face to face with death.Imprisonment and afterAt Kottayam (1941–42), he
was arrested.
He wrote a few stories
while at the lock-up in the police station. He was sent to Thiruvananthapuram
central jail for two years after trial. He wrote Baalyakaalasakhi (1944),
Premalekhanam (1943) while serving his term and published it on his
release. He then made a career as a writer, initially publishing the
works himself and carrying them to homes in order to sell them. He ran two
bookstalls in Ernakulam, Circle Book house and later, Basheer's bookstall. Once
India achieved control of its destiny after obtaining Independence from British
rule, he showed no further interest in active politics. Well into his forties,
he surprised many of his acquaintances by marrying a woman much younger than
him (Fabi Basheer) and got settled to a life of quiet happiness with his wife
and two children, Anees and Shahina, in Beypore, on the southern edge of
Kozhikode.During this period he also had to suffer from mental illness and was
twice admitted to mental sanatoriums. He wrote one of his most famous
works, Paaththummaayude aadu (Pathumma's Goat), while undergoing
treatment in a mental hospital in Thrissur. The second spell of paranoia
occurred after his marriage when he had settled down at Beypore. He recovered
both times, and continued his writings. He died in Beypore, on 5 July 1994.
Basheer is fondly called as Beypore Sultan. Though his works have been
translated to English and eighteen Indian Languages, and the peculiarity
of the language he uses makes the translations lose a lot of sheen.
He is known
for his unconventional style of language. He did not differentiate between
literary language and the language spoken by the commons and did not care about
the grammatical correctness of his sentences. Basheer was shocked that his
original writings were transcribed to "standardized" Malayalam,
avoiding freshness and natural flow, and he forced his publishers to publish
the original one instead of the edited one. Basheer's brother Abdul Khadar was
a Malayalam teacher. Once while reading one of the stories, he asked Basheer,
"where are Aakhyas and aakhyathas (related with Malayalam grammar) in
this...?". Basheer shouted at him saying that "I am writing in normal
Malayalam and don’t correct yourself not me. This points out to the writing
style of Basheer, without taking care of any grammar, he wrote in his own
village language. Though he made funny remarks on himself regarding his lack of
knowledge in Malayalam.ThemesAn astute observer of human character, he
skillfully combined humor and pathos in his works. Love, hunger and poverty are
recurring themes in his works. There is enormous variety in them – of narrative
style, of philosophical content, of social comment. His association with
India's independence struggle, the experiences during his long travels and the
conditions that existed in Kerala, and the problems among
the Muslim community – all had a major impact on them. Politics and
prison, were grist to his mill. All of Basheer's love stories have found their
way into the hearts of readers. The major theme of all Basheer stories is love
and humanity. In the story "Muchittu Kalikkarente Makal"
(The Card Sharp's Daughter), when Sainaba comes out of the water after stealing
his bananas, Mandan Muthappa says only one thing- "Sainaba go home and dry
your hair else you may fall sick." This fine thread of humanism can be
experienced in almost all his stories.WorksAlmost all of Basheer's writing can
be seen as falling under the heading of prose fiction – short stories and
novels, though there is also a one-act play and volumes of essays. Basheer's
fiction is very different and full of contrasts. There are purely narrative
pieces of stories and others which have the quality of poems in prose. In all,
a superficially simple style conceals a great subtlety of expression. His
literary career started off with the novel Premalekhanam, a humorous love
story between an upper caste Hindu Nair, and a Christian woman.
Hidden underneath the hilarious dialogues we can see a sharp criticism of
religious conservatism, dowry and similar conventions existing
in society. This was followed by the novel Baalyakaalasakhi – a
tragic love story between Majeed and Suhra – which is among the most important
novels in Malayalam literature in spite of its relatively small size (75
pages). In his foreword to Baalyakaalasakhi, Jeevithathil Ninnum Oru
Aedu (A Page From Life), was brought out by him from run-of-the-mill
love stories.
Prof. John Kurakar
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